A line drawing of a woman with an upswept hairstyle, incised directly into a rough plastered wall.

In(visible)habiting

Through spectral architecture of transparent layers and shifting shadows, Honey Thomas makes visible the unseen nature of domestic life—the labour, presence, and time embedded in home.

Published 31 December 2025

This has finished

On view
12 December 2025 – 31 March 2026
Times
10AM to 6PM (Mon to Sunday) Till March 31st, 2026
Part of
Kochi-Muziris Biennale 2025–26

Where

BMS Warehouse

Event venue · Bazaar Road, Mattancherry

The home itself becomes a living memorial—a fragile repository of presence, labour, and time. Bodies and objects are suggested rather than stated, their forms extending as shifting shadows.

Artists

Honey Thomas (RLV Government College of Music & Fine Arts, Kerala)

Medium

Mixed medium

About

In(visible)habiting explores the layered, often unseen nature of domestic life. Honey Thomas frames the interior—the space traditionally associated with women—as both visible environment and intangible memory.

Through transparent, skin-like layers and clustered materials, she creates a spectral architecture. Bodies and objects are suggested rather than stated, their forms extending as shifting shadows upon walls.

This interplay invites you to move through a space that is at once familiar and elusive, solid and permeable. The domestic realm reveals itself as something we inhabit but rarely truly see.