Kochi-Muziris Biennale 2025–26

The quiet beneath the rubble

Known and Unknown

Land Erosion / Memories of a Land

Earth's Last Stand / Restricted Terrain

The Panopticon

Dar – Dara – Dariya

Remains of a home

Puwali - Play to Plant

Ialong, hakum!

The River that Remembers

Uncanny: The Quiet Rusty Sign

Where Memories Are Immured

Shifting Landscapes

Labour of the Imagined

Is it Sunset in the himalayas

Capturing Slowness

Through their eyes

Sacred Scapes

Known Bodies, Unknown Futures

Thangka: Quiet Resistance

Bohada

Milk Distributors

The People's Orchestra

Residual Marks

St. Andrews Parish Hall -Students' Biennale at Kochi

A warm kind of panic

The Power of the Peta / Honour

Ginning Justice

Achidu

Seeds of Continuity

Army Of Ants

Jogammas

Jirania

Fish

Follow The Crowd

Between Despair and Renewal

Death Circle

Queering Spaces/Queering Gazes

Seeking Intimacy

The house that remembers

The Mark of a Shift

In(visible)habiting

parai+ magal-eer [+leisure]

Staged Narratives

Tension of Belongings

St. Andrews Parish Hall -Students' Biennale at Kochi

Thinking Threads

To Be Who? Eight Artists Unravel Identity

The Conference of Anti-Apocryphal Beings

Imagined Ecosystem: Where Decay Meets Dwelling

15,000 Expressions of Fragility

Simulation & Abor Wars

Wor(l)d Building Exercise

Re-Seen Cockroach

Who is the Print-er?

Between Rooms

Inheritance of the Hand

Archaeological Camera: Mohamed A Transforms 2,600-Year-Old Sites Into Art at Fort Kochi

Pepper House at Kochi Biennale: Ghosts, Sundials, and the Mundanity of Collapse

St. Andrews Parish Hall -Students' Biennale at Kochi

Devassy Jose & Sons — The Kochi Biennale Venue Where Migration, Memory, and Art Collide

David Hall at Kochi Biennale: A Kenyan Artist, a Child Bride's Daughter, and 330 Years of Walls That Listen

India's First Woman Photojournalist Meets a Colonial Jail in Fort Kochi Biennale

Aspinwall House Kochi Biennale 2025-26: Complete Artist Guide

நகவெட்டி nagavetti

Mattanchéré Summer Salon: What to See at Muziris Contemporary After the Biennale

Gandhi’s Final Footsteps: Inside the Cube ArtSpace Exhibition | Kochi Biennale 2025

Devassy Jose & Sons — The Kochi Biennale Venue Where Migration, Memory, and Art Collide

Mattanchéré Summer Salon: What to See at Muziris Contemporary After the Biennale

Devassy Jose & Sons — The Kochi Biennale Venue Where Migration, Memory, and Art Collide

Pepper House at Kochi Biennale: Ghosts, Sundials, and the Mundanity of Collapse

Devassy Jose & Sons — The Kochi Biennale Venue Where Migration, Memory, and Art Collide

Pepper House at Kochi Biennale: Ghosts, Sundials, and the Mundanity of Collapse

Devassy Jose & Sons — The Kochi Biennale Venue Where Migration, Memory, and Art Collide

Inside Anand Warehouse, Your Guide to the Kochi-Muziris Biennale's Most Intense Venue

SMS Hall at the Kochi Biennale — Bodies, Waste, Memory and Dance

SMS Hall at the Kochi Biennale — Bodies, Waste, Memory and Dance

India's First Woman Photojournalist Meets a Colonial Jail in Fort Kochi Biennale

India's first woman photojournalist at Fort Kochi's freedom jail?

India's First Woman Photojournalist Meets a Colonial Jail in Fort Kochi Biennale

Gandhi’s Final Footsteps: Inside the Cube ArtSpace Exhibition | Kochi Biennale 2025

Vivan Sundaram's Last Work Comes to Kochi — Six Stations of a Life Pursued at Biennale 2025

Mattanchéré Summer Salon: What to See at Muziris Contemporary After the Biennale

When Ancient Sangam Poetry Meets Contemporary Art: A Thinai Exhibition in Kochi

A Steel Cage With No Door, a Song Trapped in Glass: Inside Ishara House, Kochi

SMS Hall at the Kochi Biennale — Bodies, Waste, Memory and Dance

St. Andrews Parish Hall -Students' Biennale at Kochi

David Hall at Kochi Biennale: A Kenyan Artist, a Child Bride's Daughter, and 330 Years of Walls That Listen

Where the Secret Sauce is Spilled by Children: Mattancherry’s Kitchen Alchemy

Glass Baubles from Palestine, a Growing Garden, and Submarine Cables — Inside 111 Markaz at the Kochi Biennale

What absence carries